Certain trajectories are etched into the synthetic choreography of human-technology entanglements. Some are radiant, others ominous, and many elude valuation altogether. Abyss Theft of arranges these paths in parallel, multiplying narratives possible future governance. Language itself fractures-the delirium of techno-feudal, hypercapitalist prophecy resists coherent articulation, while the utopian subject must first be evacu- ated for any manifestation to occur.
The work developed by Simiyya (Mostafa Elbaroody, Assem Hendawi, Mandus Ridefelt) unfolds in an interstitial zone: a threshold between world-building and world-interpretation. It moves with gamelike logic, oscillating between the seductive clarity of LLM solutionism and the corrosive residue of philosophical bile.
The work developed by Simiyya (Mostafa Elbaroody, Assem Hendawi, Mandus Ridefelt) unfolds in an interstitial zone: a threshold between world-building and world-interpretation. It moves with gamelike logic, oscillating between the seductive clarity of LLM solutionism and the corrosive residue of philosophical bile.
